“I always hoped that my decision to start the Ballet Workshop would continue to impact groups of children I would never see”.

-Sylvia J. Wanner

A large, outlined letter W with a smaller, outlined W inside it, both in gray on a light background.

The Official Academy of Port Angeles City Ballet

THE SYLVIA JOYCE WANNER SCHOOL
FALL SCHEDULE 2026
REGISTER for FALL PROGRAMMING 2026
YEAR-ROUND CLASS DESCRIPTIONS
NUTCRACKER PARENT FAQ

The SJW School is a pre-professional training academy for students, ages 3-18. Beginning in 1970, as “Ballet Workshop”, and renamed in 2023 (after our founder), the SJW School exists to provide and uphold a standard of dance education excellence on the Olympic Peninsula.

Under the leadership of Artistic Director, Kate M. Robbins, students thrive in an elite atmosphere dedicated to the success of each student. SJW is focused on both the physical and psychological needs of our ballet students and provide complete guidance for graduates seeking either a career in dance or entry into a national level college dance program.

Ballet dancers practicing at a ballet barre in a large theater or rehearsal space. Shoe bags and water bottles are scattered on the floor in the foreground. The stage has green curtains and an American flag hanging in the background.

  • The SJW School follows a specific graded curriculum, based primarily on Marca Dale Weary’s syllabus of CPYB. A blend of Vaganova and French styles are introduced in the senior years. Classes are defined by lower and upper school levels:

    JUNIOR LEVELS: My Ballet Book, PreBallet, Primary 1, Primary 2, Junior Foundations

    SENIOR LEVELS: Elementary, Intermediate, Advanced

    PROGRAMMING: Classical Ballet Technique, Character Dance, Pointe, Men’s and Women’s Variations, Pas de Deux, Modern, Pilates and Tap. There is no audition for entry into the SJW School - all students are assessed by faculty upon application, and then placed according to their ability level upon admission into the academy.

  • The SJW School welcomes students of all ability and commitment levels through our doors - from recreational to pre-professionally focused. Two streams of study are available to dancers who wish to study either part-time on a term-by-term basis, or more frequently year-round.

  • The SJW School is proud to the be the official academy of Port Angeles City Ballet, providing opportunities for all of its academy dancers to perform in PACB productions. Senior students of the school may also aspire to PACB Trainee and Junior Artist positions. These positions are by invitation only from the director and subject to additional rehearsals.

  • Recent former graduates who have sought professional or college careers in dance are currently dancing with companies such as Cincinnati Ballet, Oregon Ballet Theatre, Ballet Idaho, Colorado Ballet, Ballet Melange, Concert Canyon Ballet, USC Santa Barbara Dance, UC Irivine Dance , U of Utah Dance. SJW also celebrates its many graduates who have studied from 3-18 years-old and gone on to academic pursuits after graduation. The student body of SJW is enriched by the diversity of young artists and individuals who enter our programming and participate in the many performing and choreographic opportunities.

A ballet dancer performing an arabesque in a dance studio with beige walls.
Two ballet dancers performing on stage with a royal court audience in historical costumes watching.

  • Children must be at least 3-years old and fully potty trained to enroll in “My Ballet Book” Program. For more information on SJW’s innovative “My Ballet Book’ for ages 3-5, see next toggle below.

  • My Ballet Book (MBB) is a specialized ballet program designed by SJW Faculty. It can be studied for 1 or 2 years and covers three semesters of progressive curriculum for ages 3-5.

    Each class consists of a warm-up that the children eventually memorize and know by heart, followed by an interactive book reading where the dancers act out the story using their imagination and ballet steps/positions. No technique is emphasized at this level. Listening skills, spatial awareness, respect for other dancers personal space, and following the teachers movements to learn the framework of a ballet class, are the focus of this level.

    Term 1 books are general dance oriented, and Term 2 & 3 books reinforce more specific ballet terminology that the students . At the conclusion of each class, dancers receive a sticker for completing their session, a recognition system which is continued into our PreBallet level to encourage developing focus, rewarding work ethic and encouraging enjoyment of ballet lessons.

    Dancers who complete atleast one yearof study are found to have enhanced attention-span and understanding of ballet decorum going into PreBallet.

  • Ballet programming is not open for adult enrollment at SJW.

    ADULT MODERN

    Seasonally, SJW offers an Adult Modern class - please email us to be notified about this class.

    ADULT PILATES

    SWJS Pilates Director Libby Scofield runs a private practice for adults out of SJWS facilities. To register for her adult program: libby.scofield@gmail.com

FAQ’s for Parents

  • SJW places all students on the basis of ability, not by age. If your dancer is over 12 years of age, we do recommend that they have some background in ballet or gymnastics if they are hoping to be placed in a level relative to their age group. New applicants over the age of 12 (with no dance background) will be placed in a beginner level in order to build their foundation. They will not be placed in a level with classmates their age who are technically more advanced. SJW promotes dancers year-round on a “as ready” basis, and does not require students to stay in one gradelevel for an entire year if they show technical readiness to progress to the next grade.

  • SJW’s FALL TERM begins the second week of September and ends the last day of PACB’s Nutcracker. WINTER TERM begins the first day of the PASD January calendar, and ends the first day of PASD Spring Break. SPRING TERM begins upon the conclusion of the PASD calendar Spring Break and runs until mid-June, typically the weekend of or after PAHS graduation.

  • Yes. SJW students are annually eligible for various merit form of financial support. Five junior students and five senior students are selected each December to receive merit-based Winter Scholarships. At the year-end June showcase, five merit-based scholarships are presented anually. Opportunities for need based financial aid are evaluated on a term-by-term basis.

Group of young ballet dancers on stage performing, some standing and others crouching or doing lifts, dressed in black leotards and white tutus.

ACADEMY FACULTY

Black and white photo of a ballet dancer in a tutu and pointe shoes on a wooden staircase, with a serious expression.

Libby Scofield

Tiffany Gillespie

Gabriella Cuhna

A woman in a dance studio wearing a black dress, black tights, and a bowler hat, striking a playful dance pose and smiling.
A woman dancing with a young girl, both smiling and holding hands, in a room with a bed and a cabinet in the background.
A woman with curly hair in a black top stretching her arm upwards, reaching for an object or point outside the frame.
A portrait of a woman with long wavy hair standing in front of a brick wall covered with some vines and leaves.

Kate M. Robbins

A woman with braided hair stands in profile indoors, wearing a long-sleeve shirt.

Kayla Oakes

Ballet class with young girls practicing at the barre, with an instructor assisting a student in pointe shoes in a dance studio.

Anna Pederson

Katy Nelson

  • Ms. Robbins assumed tenure of Port Angeles’ Ballet Workshop Productions in 2015, and is the founder of PACB. Under her direction, PACB has inherited five full-length ballets produced by BW Productions, including “The Nutcracker”, “Swan Lake”, “Sleeping Beauty”, “Don Quixote” and “Coppelia”.

    Ms. Robbin’s extensive teaching & staging background was shaped by the long-term mentorships of Sadler Wells/Royal Ballet artist Glenn Gilmour, Shanghai Ballet School director Chen Jian Nian, and CPYB founder Marcia Dale-Weary. After dancing with Goh Ballet & Ballet British Columbia, Ms. Robbins founded the award-winning VJPD Ballet in Vancouver, Canada, winning consecutive YAGP awards for coaching & school direction from 2011-2015. Graduates from her programs continue to be recognized at Jackson IBC, ADC-IBC, and Prix de Lausanne. Ms. Robbins is a regular guest instructor and repetiteur at private academies & colleges throughout Asia & North America, staging ballets & sharing her expertise on European training syllabi and repertoire.  She is also a member of the University of Washington’s Global Executives EMBA program and is a two-time Gemini nominee for her work in Canadian film & television.

  • Following her tenure as Executive Director of Juan de Fuca Foundation for the Arts, Kayla Oakes currently serves as the Director of Education & Artistic Engagement for Field Arts & Events Hall in Port Angeles, WA.

    A teaching artist herself, Kayla holds a BFA in Dance from the University of California at Santa Barbara and maintains a unique artistic lens which compliments over 10 years of administrative leadership experience in the performing arts industry. She’s held artistic and operational positions at various organizations and institutions including Boise Contemporary Theater, Idaho Shakespeare Festival, Ballet Idaho Academy, Boise State University, Eagle Performing Arts Center, Balance Dance Company, the Port Angeles City Ballet and Juan de Fuca Foundation for the Arts. Through these diverse experiences, Kayla has established an extensive background in nonprofit management, program development, curation, event planning, communications, education outreach, community relations, fundraising and grant writing.

    A passion for inclusive and accessible education drives Kayla professionally and she continues to teach modern dance technique for The Sylvia Joyce Wanner School while also serving on the Board of Directors for both the Juan de Fuca Foundation for the Arts and the Port Angeles Education Foundation.

  • Anna Pederson has been dancing for 27 years, and teaching/choreographing for 15 years. She grew up training in commercial jazz, tap and ballet in California, and began pursuing a musical theater career in 2012, where she quickly landed leading roles and positions as a choreographer.

    Ms. Pederson has choreographed and directed for Peninsula College, Port Angeles Community Playhouse, Olympic Theater Arts, Port Angeles High School and Ghostlight Productions, working on such shows as: A Chorus Line, Mamma Mia!, Anastasia, Frozen Jr and White Christmas. She is currently the Resident Choreographer for Ghostlight Productions and the Operetta Director for Sequim High School. She taught for The Ballet Workshop from 2017-2021 and has appeared onstage as the lead mother in The Nutcracker, the Queen of the Dryads in Don Quixote and the Queen in Sleeping Beauty. Her passion lies in teaching all dancers and performers the joy that can be found in movement and how to express that through excellent storytelling onstage.

  • Libby’s journey as a movement instructor and educator began in 2006 when she became certified in Pilates Mat/Apparatus. Since then she has continuously expanded her expertise through additional certifications in various specialties. Her extensive knowledge in core, pelvic floor health and function, gait analysis and joint health and function allows her to address the unique needs of her clients, and enables her to provide comprehensive support for individuals seeking to improve their overall movement patterns.

    One of Libby’s greatest strengths is her ability to work with clients of diverse ages and backgrounds. From young dancers & athletes aiming to enhance performance to older adults seeking to improve balance and mobility, she has successfully guided individuals towards their specific goals. Her knowledge and techniques have proved effective in helping dancers recover and regain their strength after various injuries or surgeries. She is delighted to be joining the SJWS faculty as the director of the Pilates Program.

  • Tiffany Gillespie has been the head of Junior School Faculty since 2014, after receiving teacher training from Central Pennsylvania Youth Ballet. She holds a B.S. in Elementary Education with a minor in Dance, as well as an M.Ed. in Christian School Administration. Ms. Gillespie has taught both dance and academics at elementary schools in Spain & Papua New Guinea, and has held the tenure of principal at Olympic Christian School, since 2018. She is the head junior repetiteur for PACB’s “The Nutcracker” and stages all primary level work for SJW’s annual “Scenes de Ballet”.

  • Born in Israel, Ms. Nelson is a Seattle native, trained in ballet under Suzuko Rewie, Rachel Tudor, Stephen Wynne, and Ravenna Tucker of ABT, Royal Ballet, Joffrey Ballet & NYCB.  She received her B.F.A. in Ballet from Belhaven University where she also received the 2005-2006 Bezalel Class Award for Outstanding Artistic Achievement for her choreographic endeavors. Ms. Nelson has performed, directed and choreographed in Seattle, Japan and Indonesia with companies such as TALK dance, Shachah Touring Company, City Opera Ballet and Redd Legg Dance Company and others. Nelson taught for schools such as Monroe Dance School, Sky Valley Education Center, Taproot Theatre and Dance Premier Issaquah.

    In 2008, Ms. Nelson founded 501(c)3 Katy Hagelin Dance Project dance company receiving continuous high praise reviews from Seattle Dances and Seattle Weekly. She has modeled for renowned photographer Marina Shipova and was featured on the front cover of magazines and in galleries in London, Cyprus, France and more.

    In 2023, Ms. Nelson joined senior faculty at the Port Angeles City Ballet and Sylvia Joyce Wanner Ballet School. In 2024, Ms. Nelson starred in pianist and composer Jennifer Thomas’s film ‘Underwater Carnival Ride’ which won multiple awards worldwide. Nelson also owns her own fashion line strawbyr dancewear at strawbyr.com and also creates films under her STRAWBYR Films company.

  • Ms. Cunha holds a BFA in dance education from University of the Arts (Philadelphia, PA), a Doctorate of Naturopathy from Canadian College of Naturopathic Medicine (Toronto, ON), and 200-hour yoga teaching and Reiki II practitioner certifications. She has studied intensively at Alonzo King’s LINES Ballet, San Francisco Conservatory of Dance, Diablo Ballet Apprentice Program, and Sacramento Ballet School, moving on to dance professionally with Ballet Fleming of Philadelphia. Since 2011, she has taught on faculty for The Rock School, Princeton Ballet School, and University of Pennsylvania. Currently, Gabriella works in Port Angeles as a naturopathic doctor at Wellspring Family Medicine and as a yoga instructor at The Well. She is thrilled to once again be invested in dance education as a member of SJWS faculty.